Wednesday, August 28, 2024

Kottukkaali


Beauty of well constructed scenes keep you in awe. What we knew already from what we see is the premise of a Hyper Male against an Adamant Female. This Premise is aptly decorated by Family Members's idiosyncrasies and gossips.

Thus a Journey begins for the family, a rally to seek remedy to the current plight with prayers on either sides. Journey across Villages, Forests, barren lands leads us to the final destination. Journey is fillled with curious, inadvertent, stereotypic, touchy obstacles until we reach the finish mark.
A Road movie similar to Madras to Pondicherry done aesthetically. 

Frames, admirable, Rally view from the top, from the sides, from the front, Staccato Shots, Hyper walks, Justapoxing two or three Characters in a single frame, All these frames waiting for the viewer to interpret, leads us to the end of Journey with no apparent indication or suggestion. All these frames above does not in any way indicate the upcoming subtle transformation or about the Open Choice every one has to make in the end. Instead those Frames end up as a Outsider Gaze on a family, seeking remedy to a dispute, Viewed with curiosity and enjoyed with Silly Jest.

Frames though intelligent rarely evoke any emotion or movement within us. Frames does not add up to the overall Philosophy of the film if there was one.

End of Journey, the original Premise still remains nascent without flowering into any depth or Subtext. This left a gasping feeling of incompleteness at the end.

Film may pretend itself to be Open ended, it could also be because it could not grasp any depth all along during the Journey. All the movement that happens until the end is a mild indication to us that this Adamant girl is indeed a freedom loving girl where as the erstwhile hyper male is a doubting male now.


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